Dr James Garratt

Senior Lecturer

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Dr James Garratt is Senior Lecturer in Music and University Organist. His research and teaching centre on German music, thought and culture in the long 19th century; aesthetic theory and the history of music aesthetics; and music, politics and political theory.

James's publications include Palestrina and the German Romantic Imagination: Interpreting Historicism in Nineteenth-Century Music (Cambridge University Press, 2002), and Music, Culture and Social Reform in the Age of Wagner (Cambridge University Press, 2010). He is currently completing two further books for Cambridge University Press: Music and Politics: A Critical Introduction and Music, Aesthetics and Value. Other current projects include a monograph entitled Music, History and the Ends of Art.

Subscribe to my YouTube channel Organ Music from the Great War:  www.youtube.com/channel/UCUx_XDvvLRvOn9iIMSbm6HA

Visit my Amazon page: http://www.amazon.co.uk/James-Garratt/e/B001HD3IQC/


  • MA  University of Oxford
  • PhD  Cardiff University
  • ARCM  Royal College of Music
  • FHEA  Higher Education Academy
  • Member, Royal Musical Association, International Musicological Society
  • Peer Review College Member, Arts and Humanities Research Council

Further information

Additional Information


  • Music and its Contexts (1st year): Liszt and the New German School
  • Wagner in European Thought and Culture (3rd Year)
  • Aesthetics (3rd Year)


  • Music and its Contexts (1st year): Rossini's Guillaume Tell and French grand opera; Bach's Brandenburg Concertos; Bach's Passions; Palestrina's Missa Papae Marcelli
  • Opera and European Culture, 1789-1914 (2nd year)
  • Music, Culture and Politics from Beethoven to Wagner (2nd year)
  • Bach and his Contemporaries (2nd year)
  • Wagner's Ring (3rd year)
  • Performance Practice (3rd year)
  • Film music (3rd year)
  • Current Issues in Musicology (Masters)


Prospective masters and doctoral students are very welcome to get in touch! My email address is James.E.Garratt@manchester.ac.uk

My recent masters students have specialized in a wide range of areas, including:

  • Music and symbolism in fin de siecle French aesthetics
  • British music of World War I
  • Elgar's secular oratorios
  • Spohr's chamber music
  • Music, landscape and memory in 19th-century music
  • The representation of communities in Parsifal and Moses und Aron

I have also supervised one PhD, successfully completed in 2008:

Sinead Dempsey, 'Aesthetic and Ideological Trends in the Reception of Mendelssohn's Music in Nineteenth-Century Germany'




Areas of expertise

Related information


Research output: Book/ReportBook

Research output: Book/ReportBook

Research output: Chapter in Book/Report/Conference proceedingChapter

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