Listener preference towards a real and emulated violinCitation formats

  • Authors:
  • T. Lloyd
  • P. Gaydecki
  • H. Johannsson
  • J. Ginsborg
  • C. Yates

Standard

Listener preference towards a real and emulated violin. / Lloyd, T.; Gaydecki, P.; Johannsson, H.; Ginsborg, J.; Yates, C.

In: Journal of New Music Research, Vol. 47, No. 3, 2018, p. 270-274.

Research output: Contribution to journalArticlepeer-review

Harvard

Lloyd, T, Gaydecki, P, Johannsson, H, Ginsborg, J & Yates, C 2018, 'Listener preference towards a real and emulated violin', Journal of New Music Research, vol. 47, no. 3, pp. 270-274. https://doi.org/10.1080/09298215.2018.1459732

APA

Lloyd, T., Gaydecki, P., Johannsson, H., Ginsborg, J., & Yates, C. (2018). Listener preference towards a real and emulated violin. Journal of New Music Research, 47(3), 270-274. https://doi.org/10.1080/09298215.2018.1459732

Vancouver

Lloyd T, Gaydecki P, Johannsson H, Ginsborg J, Yates C. Listener preference towards a real and emulated violin. Journal of New Music Research. 2018;47(3):270-274. https://doi.org/10.1080/09298215.2018.1459732

Author

Lloyd, T. ; Gaydecki, P. ; Johannsson, H. ; Ginsborg, J. ; Yates, C. / Listener preference towards a real and emulated violin. In: Journal of New Music Research. 2018 ; Vol. 47, No. 3. pp. 270-274.

Bibtex

@article{49df7ac985cf48fca40c9b93f6b625b3,
title = "Listener preference towards a real and emulated violin",
abstract = "An account is provided of a double-blind experiment in which musically trained and untrained participants listened to recordings of a real and emulated (virtual) violin and rated them according to their personal preference. Post-experiment the participants were also asked to identify which one was the real instrument. The emulated violin was developed by convolving the impulse response from an acoustic instrument with the output from an electric violin. The real violin was preferred by both groups with no significant difference between scores for each group. However, more of the trained musicians correctly identified the real violin.",
keywords = "violin emulation, Violin impulse response, violin preference",
author = "T. Lloyd and P. Gaydecki and H. Johannsson and J. Ginsborg and C. Yates",
year = "2018",
doi = "10.1080/09298215.2018.1459732",
language = "English",
volume = "47",
pages = "270--274",
journal = "Journal of New Music Research",
issn = "0929-8215",
publisher = "Routledge",
number = "3",

}

RIS

TY - JOUR

T1 - Listener preference towards a real and emulated violin

AU - Lloyd, T.

AU - Gaydecki, P.

AU - Johannsson, H.

AU - Ginsborg, J.

AU - Yates, C.

PY - 2018

Y1 - 2018

N2 - An account is provided of a double-blind experiment in which musically trained and untrained participants listened to recordings of a real and emulated (virtual) violin and rated them according to their personal preference. Post-experiment the participants were also asked to identify which one was the real instrument. The emulated violin was developed by convolving the impulse response from an acoustic instrument with the output from an electric violin. The real violin was preferred by both groups with no significant difference between scores for each group. However, more of the trained musicians correctly identified the real violin.

AB - An account is provided of a double-blind experiment in which musically trained and untrained participants listened to recordings of a real and emulated (virtual) violin and rated them according to their personal preference. Post-experiment the participants were also asked to identify which one was the real instrument. The emulated violin was developed by convolving the impulse response from an acoustic instrument with the output from an electric violin. The real violin was preferred by both groups with no significant difference between scores for each group. However, more of the trained musicians correctly identified the real violin.

KW - violin emulation

KW - Violin impulse response

KW - violin preference

UR - http://www.scopus.com/inward/record.url?scp=85045771285&partnerID=8YFLogxK

U2 - 10.1080/09298215.2018.1459732

DO - 10.1080/09298215.2018.1459732

M3 - Article

AN - SCOPUS:85045771285

VL - 47

SP - 270

EP - 274

JO - Journal of New Music Research

JF - Journal of New Music Research

SN - 0929-8215

IS - 3

ER -