Artaud in performance: dissident surrealism and the postwar American avant-gardeCitation formats

  • Authors:
  • Joanna Pawlik

Standard

Artaud in performance: dissident surrealism and the postwar American avant-garde. / Pawlik, Joanna.

In: Papers of Surrealism, Vol. 8, 22.06.2010, p. 1-21.

Research output: Contribution to journalArticlepeer-review

Harvard

Pawlik, J 2010, 'Artaud in performance: dissident surrealism and the postwar American avant-garde', Papers of Surrealism, vol. 8, pp. 1-21.

APA

Vancouver

Author

Pawlik, Joanna. / Artaud in performance: dissident surrealism and the postwar American avant-garde. In: Papers of Surrealism. 2010 ; Vol. 8. pp. 1-21.

Bibtex

@article{9eef65ce33e1440da2c578a313d61540,
title = "Artaud in performance: dissident surrealism and the postwar American avant-garde",
abstract = "This article seeks to give account of the influence of Antonin Artaud on the postwar American literary avant-garde, paying particular attention to the way in which his work both on and in the theatre informed the Beat and San Francisco writers{\textquoteright} poetics of performance. Artaud was received enthusiastically by poets such as Allen Ginsberg and Michael McClure, and recruited as a posthumous ally in their distinctive revolt against Cold War oppression, militarism, and conformity. They sourced, translated and distributed texts by Artaud during the 1950s and 1960s, ensuring he reached as wide an Anglophone audience as possible.",
author = "Joanna Pawlik",
year = "2010",
month = jun,
day = "22",
language = "English",
volume = "8",
pages = "1--21",
journal = "Papers of Surrealism",
issn = "1750-1954",
publisher = "AHRC Research Centre for Studies of Surrealism and its Legacies",

}

RIS

TY - JOUR

T1 - Artaud in performance: dissident surrealism and the postwar American avant-garde

AU - Pawlik, Joanna

PY - 2010/6/22

Y1 - 2010/6/22

N2 - This article seeks to give account of the influence of Antonin Artaud on the postwar American literary avant-garde, paying particular attention to the way in which his work both on and in the theatre informed the Beat and San Francisco writers’ poetics of performance. Artaud was received enthusiastically by poets such as Allen Ginsberg and Michael McClure, and recruited as a posthumous ally in their distinctive revolt against Cold War oppression, militarism, and conformity. They sourced, translated and distributed texts by Artaud during the 1950s and 1960s, ensuring he reached as wide an Anglophone audience as possible.

AB - This article seeks to give account of the influence of Antonin Artaud on the postwar American literary avant-garde, paying particular attention to the way in which his work both on and in the theatre informed the Beat and San Francisco writers’ poetics of performance. Artaud was received enthusiastically by poets such as Allen Ginsberg and Michael McClure, and recruited as a posthumous ally in their distinctive revolt against Cold War oppression, militarism, and conformity. They sourced, translated and distributed texts by Artaud during the 1950s and 1960s, ensuring he reached as wide an Anglophone audience as possible.

M3 - Article

VL - 8

SP - 1

EP - 21

JO - Papers of Surrealism

JF - Papers of Surrealism

SN - 1750-1954

ER -