An Epistemology of Play: Provocation, Pleasure, Participation and Performance in Ethnographic Fieldwork and Film-making

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Drawing on previous and ongoing research on ethnofiction films, this article suggests new perspectives on ethnographic fieldwork and filmmaking, where play stands at the centre of the epistemology. Projective improvisation in ethnofiction
shares common denominators with play and especially role play, in which provocation, pleasure and flow motivate the performance. The article presents co-creative role play as a valid ethnographic method, based on the assumption that mimicry gives access to the implicit information of the play world, making it explicit through a reflexive approach.

Bibliographical metadata

Original languageEnglish
Article number2
Pages (from-to)403-412
Number of pages10
Issue number2
Publication statusPublished - 17 Dec 2018

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