'‘In Search of Liberated Time, or Schubert’s Quartet in G Major, D887: Once More Between Sonata and Variation’, Music Theory Spectrum Vol. 38/i (Spring 2016): 85-108.
'In What Respect Monumental? Schubert’s Quartettsatz and the Dialectics of Private and Public', in Christian Speck, ed., The String Quartet from 1750 to 1870 (Turnhout: Brepols, 2016).
‘[Un]Himmlische Länge: Editorial Intervention as Reception History’ in Lorraine Byrne Bodley and Julian Horton, eds., Schubert’s Late Music in History and Theory (Cambridge: Cambridge University Press, 2016).
‘Schubert’s Last Piano Sonatas’ with Walburga Litschauer, in Lorraine Byrne Bodley and Julian Horton, eds., Rethinking Schubert (Oxford: Oxford University Press, September 2016).
‘The Tightened Bow: Analysing the Juxtaposition of Drama and Lyricism in Schubert’s Paratactic Sonata-Form Movements’, in Gareth Cox and Julian Horton, eds., Irish Musical Analysis: Irish Musical Studies, Vol. 11 (Dublin: Four Courts Press, 2014).
‘Rhetorical Closure in the First Movement of Schubert’s Quartet in C major, D46: a Dialogue with Deformation’, Music Analysis, 28/i, 2009, 111–44.
Review article of Barbara M. Reul and Lorraine Byrne Bodley, eds., The Unknown Schubert (Aldershot: Ashgate, 2008), Journal of the Society for Musicology in Ireland, 4, 2008–09.
‘“Idling on Some Compulsive Fantasy”: Schubert’s Second Subjects and the String Quintet in C Major, D956’, The Musicology Review, 2 (2005–6), 149–78.
Anne Hyland read Music and Modern Irish at University College Dublin (UCD), before pursuing a Masters in Musicology with Julian Horton, and a PhD at King's College, University of Cambridge with Nicholas Marston. Her doctoral thesis, entitled 'Tautology or Teleology? Towards an Understanding of Repetition in Franz Schubert's Instrumental Chamber Music' was supported by an AHRC doctoral award, a National University of Ireland Travelling Studentship, and a European Research Studentship awarded by King's College.
Anne joined the Music Department at the University of Manchester as Lecturer in Music Analysis in September 2014. Previous appointments included Lecturer in Music at Royal Holloway, University of London (2012-14) and Trinity College, Dublin (2011-12).
Anne was editorial assistant for Music Analysis from 2010-2016, and is the incoming Critical Forum Editor for the journal from January 2017. She is an advisory editor for The Musicology Review. Anne sat on the Council of the Society for Musicology in Ireland from 2012-15, an remains an active member of the SMI.